Contrived Plot Points in Fiction Writing … As Illustrated by Curb Your Enthusiasm

CurbAt the outset of this post, I am throwing my hands in the air, and begging those fans of HBO’s Curb Your Enthusiasm to keep an open mind. I know you’re a passionate bunch, but remember … I’m not insulting you personally. Everything I say is just an opinion, it’s all in good fun, and is punctuated with smiley emoticons (metaphorically).

I, myself, am definitely not a fan … to my husband’s utter bafflement. Over the years, he’s tried to get me to fall in love with Curb as he has. But no matter how many episodes he guilts me into watching (“Just one more, please! I know you’ll love this one. It’s right up your alley, I swear it!) I find the show downright unpalatable.

For the longest time, though, I was unable to articulate why that was. All I knew was that I didn’t laugh, I didn’t care, I didn’t want to watch. Then, in one of my more analytical moments, I sat down and really thought about it. What was it about Curb that I simply couldn’t stand? What I discovered was this: the thing I don’t like about the show is the same thing I don’t like about a lot of poorly-written fiction …

Curb Your Enthusiasm is far too contrived.

There, I said it. Go ahead, Curb fans, throw your digital vegetables at me and boo at your computer screens till you’re blue in the face! [Insert smiley face emoticon here]

Okay, so Larry David is a quirky character, I get that. That is where his comedic genius lies: in being the odd man out, the one who reacts to situations in a way that no normal person does. It’s the formula that most successful contemporary sitcoms follow (Friends, The Big Bang Theory, The Simpsons, etc.). What I don’t like about Curb is that everyone Larry interacts with behaves the same way he does. It’s like a world full of Larry Davids, and it’s what each episode relies on to get Larry into these situations where he can start behaving so Larry-like.Forks

Take, for example, “The Massage” (episode 10 of season 2) where Larry is arrested for stealing forks from a restaurant. In one scenario, he packs up his half-eaten meal and brings it out of the restaurant for his waiting driver to eat. The driver looks into the bag, sees that the food is Larry’s leftovers, and with a look of disgust says, “I can’t eat this. This is your leftovers” (or something to that effect).

As ridiculous as that was for Larry to do, I ask you this? And answer truthfully … What is the likelihood that an employee – a real employee in the real world – would respond in that way to his or her employer? Far more likely that he or she would simply nod, smile, give a begrudging thank you, and then go home and verbally blast the employer to friends and family. Larry’s decision to bring his table scraps to his driver was a funny moment; it was good comedy. His driver’s reaction, and then Larry’s counter-reaction and then the driver’s counter-counter-reaction … it’s just too over-the-top and – get ready for it – contrived.

In the next scenario of that episode, the maitre’d of the restaurant is angry with Larry for a previous incident. When Larry tries to take a fork out of the restaurant to give to his driver, even though he explains why he’s taking the fork, the maitre d’ has Larry arrested for stealing. Again, in what world would that happen? In what world would a maitre d’, faced with that situation, go to such drastic measures and still hope to keep his job? But, it was the plot point that was needed to have Larry react in a Larry-like way, and sends him to court where he gets himself into yet another scrape.

MichaelThe comedic genius of having a character like Larry David in Curb Your Enthusiasm lies in this character being the quirky personality. Michael Scott from the US version of The Office is also a quirky personality … not quite in the same way, but the principle stands. And when he does things that are so very Michael-like, what makes it funny is that those surrounding him react in believable ways. We don’t have a show full of Michaels, The Office wouldn’t be funny if we did. (Some would argue that The Office is full of quirky characters, so to nip that conversation in the bud, I’d point out that when each character lets his or her quirky out, the rest of the office, including Michael Scott himself, behaves as we would expect a person to behave.)

So, I encourage you to apply what I’ve said about Curb Your Enthusiasm to your fiction writing. As authors, we hear often that we should not write contrived or convenient plot devices to move our characters from A to B. If your character is not behaving in a way that is not organic to who she or he is, then your plot will seem forced. Or, if your supporting cast is not behaving in a way that we would expect average human beings to behave in similar circumstances, then your plot will seem forced. Just as the comedy in Curb Your Enthusiasm is forced. IMO … I repeat, Curb lovers, I-M-O!

If you want to write a well-plotted, well-drawn story, make sure you spend time developing your plot points. Avoid convenient plot devices.

Alright, I’ve given my two cents … have at me Curb fans, I’m ready for it!

Come get it

13 thoughts on “Contrived Plot Points in Fiction Writing … As Illustrated by Curb Your Enthusiasm

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  1. I know this was written awhile ago, but I felt compelled to respond. I just started watching Curb Your Enthusiasm as I’ve heard so much about it, and I agree completely with your analysis. I just find so many of the situations hard to believe. In fact I Googled, “curb your enthusiasm don’t like contrived” and your article was one of the choices. I’ve watched like three episodes so far, and there are some funny moments, but there are many characters who are just way over the top and beyond realistic. As a writer as well I find it disrupts the narrative flow. I’m going to give it another episode or two and then decide if I want to stick with it. In the meantime I’m going to finish my short story, that I hope to get published, by developing characters who behave as real people might behave in a real world setting.


    1. Lol, thanks for your comment, Henry. I had to show it to my husband with a big “See?? I told you I’m not the only one!” 🙂 Good luck with that short story. I know your characters will be great 🙂


  2. Glad I could help out with enlightening your husband, lol. Although I bet he’s still sticking to his guns. The fact is there are not too many really good comedy shows out there these days in my opinion. There are, however, many very good, I guess what you might call, drama series. Sopranos, Breaking Bad, The Office, The Wire, Louie, Homicide, Justified, Hannibal, and my most recent favorite Mr. Robot, to name a few. Fortunately my wife pretty much agrees with all my favorites. Or so she claims. I doubt though she’d sit and watch them with me otherwise. Unless she’s deep undercover working for the networks somehow.

    Now I’d love to find a good new comedy series. Comedy is difficult to do I think. In any medium. Even harder maybe in literature. I’m not sure I can even think of one exceptionally funny novel. I heard MASH was, but never got to reading it. Catch 22 I dug, but not as funny as expected. I read something great by the writer Italo Svevo, “Confessions of Zeno”, which the renowned critic James Wood praised as superior in its comedic value, but while I absolutely loved it, it wasn’t what I would call laugh out loud funny. Maybe it would be better to say that it’s humor was of the cerebral variety. What a wonderful novel though.

    In any case I’m waiting to find that great humorous television show whose quality rivals the great dramas that have come to the forefront of TV in the past decade. Actually now that I’m thinking about it I did mention Louie and The Office so there’s those. But that’s not alot. I’ll have to keep my eyes open, and I’m curious to check out more of what you feel about being a writer. Thanks and take care.


    1. Well, if you’re waiting for that great humorous television show whose quality rivals the great dramas (I love how you put that, btw), best of luck in finding it. For me, especially with comedy, delivery makes all the difference. It’s the analysis by the actor of each line, each response that makes the comedy truly funny. Unfortunately I think that so many comedies don’t do well because the actors rely on the lines for the humour. That’s why I think The Big Bang Theory, The Office, and even Friends (three of my favourite comedies) did as well as they did (or are doing), because there is that delivery there by most of the characters on each show that others can’t rival. I liken it to writing – especially romance, which is my genre. You can have a plot that’s been so overdone it’s cliche. But it’s the delivery of the characters and their interactions with one another, and how they bring that plot to life that makes it worth reading. Just my two cents 🙂 Thanks so much for your wonderful and insightful comment; and you’re right about my husband, he is sticking to his guns with a vengeance 🙂


  3. To be fair I want to report that I just watched the “Beloved Aunt” episode of “Curb…”. I’m not trying to be a traitor, but it was pretty damn funny.


  4. I just Googled Curb and “contrived” to see if anyone else felt the way I do about the show…and this came up…thanks for articulating this better than I could have 🙂


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